Taxidermy, Picassos, and tartan converge in a Highland fever dream.
Hauser & Wirth transformed this 1860s inn into a maximalist ode to Scottish mythology, where every surface tells a story—antlers cast shadows on contemporary art, Victorian taxidermy shares walls with commissioned sculptures, and the Clunie Dining Room is wallpapered in hand-painted Scottish game birds. In Braemar, where the Cairngorms begin, Iwan and Manuela Wirth created not a hotel but a gesamtkunstwerk in tartan and tulle.
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